TIFF 2020 review: The New Corporation: The Unfortunately Necessary Sequel
The sequel to 2003’s The Corporation looks at the deadly consequences of big business running unchecked across the globe.
Review
TIFF 2020 review: Violation balances natural beauty with harrowing violence
Violation is a stunningly beautiful film that is almost impossible to watch.
Fantasia 2020 review: ‘Anything for Jackson’ puts a unique twist on the exorcism trope
A pregnant woman is kidnapped by a grieving elderly couple in this great Canadian horror entry.
Fantasia 2020 review: ‘Come True’ is guaranteed to haunt your dreams
The sophomore feature from Anthony Scott Burns is like an Amblin film filled with terrifying imagery.
‘Bleed With Me’: Montreal filmmaker Amelia Moses on her slow-burning psychological thriller [Fantasia]
Moses’ debut is a haunting look at female friendship, anxiety, and paranoia, set in a secluded cabin in the woods.
Review: ‘Bill & Ted Face the Music’ is a most triumphant return
Keanu Reeves and Alex Winter are back with the first new Bill & Ted movie in nearly 30 years.
‘Clown in a Cornfield’ review: Adam Cesare pushes the limits of YA fiction with his brutal horror novel
Cesare’s novel updates the classic slasher trope for today’s scary MAGA reality.
Review: Christopher Nolan’s ‘Tenet’ is an impenetrable sci-fi thrill ride
Nolan’s latest is a technical breakthrough weighed down by an overstuffed script.
Fantasia 2020 review: Julia Fox is mesmerizing as a camgirl in the gritty ‘PVT Chat’
Ben Hozie’s new feature is a great addition to the underground NYC film cannon.
Fantasia 2020 review: Neil Marshall’s ‘The Reckoning’ is basically a gory Lifetime movie
Set during the English plague in the 17th century, The Reckoning is too hokey to make much of an impression.