I Used to Go Here Review: Gillian Jacobs and Jemaine Clement Shine in Kris Rey’s Sweetly Comic Take on Success and Growing Up
Kris Rey’s film is one of the best comedies of the year.
Review
The Damn Truth Played Montreal’s First Major Shows Since the Quarantine at the Royalmount Drive-in
The Montreal hard rockers played a pair of socially-distanced shows at the Royalmount Drive-in.
The Old Guard, Palm Springs, First Cow, and Greyhound Lead an Insane Streaming Week
Here’s what to watch this week, from Charlize Theron’s ass-kicking The Old Gaurd to the Lonely Island’s genre mash-up Palm Springs.
Review: Venus Furs’ Debut Album Shines a Psychedelic Light into the Darkness
Montreal multi-instrumentalist Paul Kasner’s Venus Furs album is out today.
CFF review: THE WANTING MARE is an audacious debut with an incredible behind-the-scenes story
The fantasy film took five years to complete and was filmed entirely in a warehouse in New Jersey.
Kate Nash doc Underestimate the Girl is a brutally honest look at her rollercoaster career
The film follows Kate Nash as she attempts to re-start her career after being dropped from her label.
CFF review: SKULL: THE MASK is a wildly gory Brazilian slasher with insane practical effects
A dense plot gets side-swept by some of the most insane on-screen kills in some time.
The Southern Book Club’s Guide to Slaying Vampires: The Lost Boys meets Fried Green Tomatoes in Grady Hendrix’s latest horror-thriller
Horror author Grady Hendrix returns with this tale of a book club up against a killer vampire in ’90s suburbia.
SXSW 2020 review: THE DONUT KING spotlights the Cambodian refugee that launched the California donut craze
The documentary tells the story of how a Cambodian immigrant launched a donut empire in Southern California.
SXSW 2020 review: TEENAGE BADASS is a witty rock comedy set in the Myspace era
Grant McCord’s feature directing debut was slated to premiere at this year’s SXSW festival.