Interview: Matt Collyer of The Planet Smashers and Stomp Records on the Label’s 20th Anniversary
We speak with the Planet Smashers frontman and Stomp Records co-founder about the 20th anniversary of the label.
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Interview: Glenn Danzig talks ‘Skeletons,’ Vinyl Re-Issues, Twitter and Portlandia
We catch up with the one and only Glenn Danzig to discuss his multiple upcoming releases, the Blackest of the Black tour, his hatred of social media and more.
Kevin Bacon and director Jon Watts on their throwback thriller ‘Cop Car’
We speak with Kevin Bacon and Jon Watts about their new crime thriller ‘Cop Car.’
Interview: Writer/Director Martin Owen targets reality TV with “L.A. Slasher”
We speak to the writer/director behind “L.A. Slasher,” the reality TV horror satire starring Mischa Barton and Brooke Hogan.
Pixies guitarist Joey Santiago on the band’s future : ‘I think the next record should be punchier – and funny’
We speak to the Pixies guitarist about the band’s reunion, touring, and his love of comedy.
Interview: Sebadoh’s Lou Barlow on ‘Defend Yourself,’ Rush, and being the hipsters of their time
We speak to Sebadoh’s Lou Barlow about the painful circumstances surrounding ‘Defend Yourself,’ his love of Canada, and why he still owes Sub Pop so much money.
Interview: Matt Sharp of The Rentals on Lost in Alphaville and the cult of Pinkerton
The Rentals’ frontman Matt Sharp on the band’s first album in 15 years, South Park, and the cult of Pinkerton.
Patrick Watson on ‘Love Songs for Robots’ : “There is not one prog influence on this record”
We talk to Patrick Watson about the sound of the new record, the Montreal music community, and why Katy Perry is like Frank Zappa.
Interview: Anthrax bassist Frank Bello on the band’s “thrashy” upcoming LP
Anthrax’s Frank Bello discusses the new LP, the Motörhead cruise, and savouring Breaking Bad.
Supersuckers frontman Eddie Spaghetti on the band’s new album, hanging with the West Memphis 3, and why rock is dead
We catch up with Eddie Spaghetti to discuss the band’s new album, The West Memphis 3, and why Greg Graffin is an asshole.