Fantastic Fest review: Tenacious D hook up with a sex robot to battle Donald Trump Jr. in the demented Post-Apocalypto
Jack Black and Kyle Gass return in the crudely-drawn new series on YouTube Red.
Review
Fantastic Fest review: Gaspar Noé’s Climax is a hallucinatory trip to nowhere
The Argentinian filmmaker / provocateur’s latest is a visually stunning trip into a dance troupe’s evening from hell.
Fantastic Fest review: Luca Guadagnino’s Suspiria is a stunning expansion of the original
Luca Guadagnino’s Suspiria remake is a beautiful and horrific fever dream that stands on its own.
Fantastic Fest review: Gareth Evans’ Apostle is a brutal, overstuffed period piece
The director of The Raid shifts gears for a brutal period piece starring Dan Stevens. Our review from the film’s world premiere at Fantastic Fest.
Fantastic Fest review: Halloween is a worthy follow-up to the original
David Gordon Green’s Halloween is a brutal and unexpectedly heartfelt follow-up to John Carpenter’s horror classic.
TIFF Review: Nationalism, soccer and giant fluffy dogs collide in the wild satire Diamantino
The wild Portuguese film is sure to become a cult classic.
Review: Shane Black’s The Predator is a total 80’s throwback (for better or worse)
Shane Black’s action-comedy stab at the Predator franchise has its moments but ultimately falls flat.
Australia’s Ziggy Alberts made his Montreal debut at a sold-out Café Campus
The indie-folk singer played before a rapturous crowd in Montreal.
Review: Mark Wahlberg and Iko Uwais team up for the bloody and muddled Mile 22
The fourth collaboration between Mark Wahlberg and director Peter Berg is like watching someone play Call of Duty for 95 minutes.
Can We Get out of Here Alive? Sharp Objects’ Horror Hothouse
We take a look at the first four episodes of the dark new HBO series.