SXSW 2020: FOR MADMEN ONLY dives into the mad genius of comedy legend Del Close
Heather Ross’ documentary takes a mind-bending look at the eccentric improv instructor who nurtured the biggest names in comedy.
Movie
SXSW 2020 review: THE DONUT KING spotlights the Cambodian refugee that launched the California donut craze
The documentary tells the story of how a Cambodian immigrant launched a donut empire in Southern California.
SXSW 2020 review: TEENAGE BADASS is a witty rock comedy set in the Myspace era
Grant McCord’s feature directing debut was slated to premiere at this year’s SXSW festival.
SXSW 2020 review: INSERT COIN shows how Midway Games (Mortal Kombat, NBA Jam) revolutionized an industry
Joshua Tsui’s INSERT COIN doc shines a light on Midway Games, the video game company that reshaped the industry in the 90s.
Review: ONWARD is a moving story of loss, heavy metal, and suburban elves
The new Pixar movie charts its own idiosyncratic path.
Interview: Run This Town’s Mena Massoud on navigating from Aladdin to the morally complex world of Rob Ford
We speak to Mena Massoud about his gritty new thriller Run This Town, set amidst the crack video scandal of former Toronto Mayor Rob Ford.
Win passes to the Montreal advance screening of BLOODSHOT
Vin Diesel takes on the Valiant Comics character in the upcoming sci-fi thriller.
Review: Against all odds, SONIC THE HEDGEHOG is actually…good?
Sonic hits the road running in this surprisingly fun family movie.
Interview: Color Out of Space director Richard Stanley on letting Nicolas Cage go wild, and bringing the “unfilmable” H.P. Lovecraft story to the screen
Richard Staley is back with his first feature film in decades with the wild Color Out of Space.
Review: THE GENTLEMEN is a mostly welcome return to Guy Ritchie’s violent and visceral filmmaking
Guy Ritchie returns to the manic crime capers of his most beloved films with The Gentlemen.