BECKY filmmakers on turning Kevin James into an escaped Nazi convict for their gory revenge thriller
The ultra-violent thriller hits digital services on June 5th.
interview
On The Widow’s Walk: How Shooter Jennings helped The White Buffalo unlock the best album of his career
Jake Smith emerges from a “dark place” with On The Widow’s Walk, the first new album from The White Buffalo in three years.
SXSW 2020: WE DON’T DESERVE DOGS is a beautifully-shot, globe-trotting look at our relationship with man’s best friend
Filmmaking couple Matthew Salleh and Rose Tucker travelled to 11 countries to showcase the myriad ways dogs impact our lives.
Peach Pit’s Neil Smith on his quarantine survival tips and releasing ‘You and Your Friends’ during a pandemic
We speak to the Peach Pit frontman about the band’s first new album in nearly three years.
Interview: Run This Town’s Mena Massoud on navigating from Aladdin to the morally complex world of Rob Ford
We speak to Mena Massoud about his gritty new thriller Run This Town, set amidst the crack video scandal of former Toronto Mayor Rob Ford.
Interview: Dave Hause kicks back against the darkness
“Even if you don’t know if you’re going to reach the surface of the water, you definitely give it hell.”
Interview: Color Out of Space director Richard Stanley on letting Nicolas Cage go wild, and bringing the “unfilmable” H.P. Lovecraft story to the screen
Richard Staley is back with his first feature film in decades with the wild Color Out of Space.
Interview: Hot Water Music’s Jason Black on the origins and legacy of No Division and Caution
The band is performing both fan-favourite albums in full for their 25th-anniversary tour.
Interview: Wrestling legend Vampiro on his new documentary, the 80s Montreal punk scene, Milli Vanilli, and much more
The Mexican wrestling legend on his difficult reaction to the new documentary Nail in the Coffin: The Fall and Rise of Vampiro.
Fantasia 2019: THE ART OF SELF-DEFENSE writer-director Riley Stearns on his subversive dark comedy
A brutal and hilarious mix of Brazil and Fight Club, the surreal film is one of the best of the year.