New York Dolls guitarist and co-founder Sylvain Sylvain dead at 69

New York Dolls guitarist Sylvain Sylvain has died at 69, according to a post on his Facebook page. Sylvain had been battling cancer for the past two years.

Sylvain joined the New York Dolls in 1972 and played on the band’s two 70s records, the iconic 1973 self-titled debut, and 1974’s Too Much Too Soon. With their provocative androgynous style and crunchy rock n’ roll sound, the Dolls would go on to influence both the early punk scene and the glam explosion, including the likes of David Bowie.

Read the Facebook post below, which includes a long and emotional tribute from fellow New York music legend Lenny Kaye. RIP Sylvain.

Sylvain Sylvain Mizrahi
Rest In Peace
February 14, 1951 ~ January 13, 2021

As most of you know, Sylvain battled cancer for the past two and 1/2 years. Though he fought it valiantly, yesterday he passed away from this disease. While we grieve his loss, we know that he is finally at peace and out of pain. Please crank up his music, light a candle, say a prayer and let’s send this beautiful doll on his way.
Please read this letter written for Syl by Lenny Kaye

SYL: An Appreciation
Lenny Kaye
Sylvain Sylvain, the heart and soul of the New York Dolls, bearer of the Teenage News, passed into his next astral incarnation on Wednesday, January 13, 2021.
Syl loved rock and roll. His onstage joy, his radiant smile as he chopped at his guitar, revealed the sense of wonder he must have felt at the age of 10, emigrating from his native Cairo with his family in 1961, the ship pulling into New York Harbor and seeing the Statue of Liberty for the first time.
It was he who looked across Lexington Ave. and saw the sign for the New York Doll hospital. Syl and a high school friend, Billy Murcia, were in the rag trade then, the aptly named Truth and Soul, handknit sweaters with a side of rockattitude. Hooking up with another classmate, John Genzale, and then, as bands will, Arthur Kane, and David Johansen, and Jerry Nolan, they became a quasar in the rock firmament; embodying trash, glam, garage-to-punk, the ambisexual affirmation of music played louder.
His role in the band was as lynchpin, keeping the revolving satellites of his bandmates in precision. Though he tried valiantly to keep the band going, in the end the Dolls’ moral fable overwhelmed them, not before seeding an influence that would engender many rock generations yet to come.
The New York Dolls heralded the future, made it easy to dance to. From the time I first saw their poster appear on the wall of Village Oldies in 1972, advertising a residency at the Mercer Hotel up the street, throughout their meteoric ascent and shooting star flame-out, the New York Dolls were the heated core of this music we hail, the band that makes you want to form a band.
Syl never stopped. In his solo lifeline, he was welcomed all over the world, from England to Japan, but most of all the rock dens of New York City, which is where I caught up with him a couple of years ago at the Bowery Electric. Still Syl. His corkscrew curls, tireless bounce, exulting in living his dream, asking the crowd to sing along, and so we will. His twin names, mirrored, becomes us.
Thank you Sylvain x 2, for your heart, belief, and the way you whacked that E chord. Sleep Baby Doll.