Review: HARPOON strands three horrible people at sea in this bloody black comedy
A trio of friends battle it out in a stranded yacht in the new horror comedy Harpoon.
Film
Fantastic Fest 2019 review: Joe Begos’ BLISS is a drug-fuelled, hallucinatory look at addiction and creativity (with vampires)
Nothing sparkles in writer/director Joe Bego’s latest, a seedy and riveting look at an artist beset by addiction.
FNC’s stacked TEMPS Ø to feature Color Out of Space, a restored version of David Cronenberg’s Crash, docs on Vampiro and Alien, and much more
The most exciting program at FNC just unveiled its 2019 lineup.
Fantastic Fest 2019 review: THE PLATFORM is a brutal metaphor about wealth inequality with a sci-fi twist
You’ll never look at a buffet the same way again.
TIFF 2019 review: BLOOD QUANTUM is a welcome fresh take on the zombie film
Jeff Barnaby’s follow-up to Rhymes for Young Ghouls focuses on a zombie outbreak in a remote Mi’kmaq community.
The Montreal International Black Film Festival returns with the Quebec premiere of Harriett, an evening with members of “The Central Park Five,” and more
The 15th edition of the festival features over 90 films from 25 countries.
TIFF 2019 review: UNCUT GEMS is white-knuckle rush
Adam Sandler gives one of the best performances of his career in the latest from the Safdie brothers.
TIFF 2019 review: JOJO RABBIT is a sweet Nazi comedy that pulls too many punches
Taika Waititi’s Nazi comedy is a tightrope walk that plays things a bit too safe.
TIFF 2019 review: COLOR OUT OF SPACE nails H.P. Lovecraft’s cosmic terror classic
The long-awaited new film from Richard Stanley is finally here.
TIFF 2019 review: JOKER is an unsettling, violent revenge fantasy
Todd Phillips’ JOKER is a disturbing and nihilistic look at how outcasts embrace violence.