Come Play review: A spindly evil creature is hiding in our screens in this effective new horror-thriller
Gillian Jacobs tries to save her son from a being preying on our collective loneliness in this stylish new horror film.
Film
Review: Wolfman’s Got Nards is a surprisingly emotional tribute to The Monster Squad
Monster Squad star André Gower examines how the 1987 bomb become a cult hit.
May the Devil Take You Too review: Timo Tjahjanto returns to the gory insanity of his 2018 horror hit
FFO: pale-faced ghouls vomiting black goop.
FNC 2020 review roundup (First and Last Men, Night Has Come, Drowsy City)
Reviews of a trio of fascinating films playing the virtual edition of this year’s Festival du nouveau cinéma.
Phil Rosenthal headlines The Devour! Food Film Festival, with a mix of in-person and digital options
The Nova Scotia festival combines life’s two greatest pleasures.
Leatherface returns for 2021’s Texas Chainsaw Massacre film, saws his way into Call of Duty
Check out the unsettling poster for 2021’s Texas Chainsaw Massacre, and sign up for a Leatherface Calling Card in Call of Duty!
Watch: Bruce Willis returns to his Die Hard character…for a 2-minute car battery commercial
Yippee-ki-yay motherfuckers!
FNC 2020: VIOLATION is a harrowing and beautifully-shot rape-revenge thriller
Violation is a stunningly beautiful film that is almost impossible to watch.
My Heart Can’t Beat Unless You Tell It To is a powerful and unique vampire tale [NIGHTSTREAM]
The feature debut from writer-director Jonathan Cuartas features a great cast including Patrick Fugit, Owen Campbell, and Ingrid Sophie Schram.
The Curse of Audrey Earnshaw writer-director Thomas Robert Lee on his folk horror inspirations, “elevated horror,” his director’s cut, and more
The film’s writer-director on what’s included in his director’s cut, his thoughts on the “elevated horror” tag, what the film has in common with Lonesome Dove, and much more.