Zola is a vivid and intoxicating descent into social media hell
Zola transforms an infamous Twitter thread about a stripping road trip gone bad into a bold and vivid film about the Instagram generation.
Film Review
SILENT NIGHT review: There’s nothing calm or bright about this grim UK crime drama
“One last job,” you say? What could go wrong?
CENSOR review: A dark meta-horror debut set during the infamous Video Nasties era
Censor is a visually bold and dark horror film set during the infamous Video Nasties uproar in the U.K. during the ’80s.
HITMAN’S WIFE’S BODYGUARD review: Ryan Reynolds, Samuel L. Jackson, and Salma Hayek can’t save this snoozefest
The Hitman’s Wife’s Bodyguard brings back Ryan Reynolds, Samuel L. Jackson ,and Salma Hayek in a sequel no one asked for.
12 MIGHTY ORPHANS review: Luke Wilson and Martin Sheen shine in a throwback football drama
Luke Wilson and Martin Sheen star in a true story about a remarkable football team at an orphanage during the Great Depression.
My Heart Can’t Beat Unless You Tell It To is a powerful and unique vampire tale [Tribeca review]
The feature debut from writer-director Jonathan Cuartas, My Heart Can’t Beat Unless You Tell It To is a powerful and intimate horror film about a family trying to manage a dark and dangerous secret.
CAVEAT review: Shudder’s new Irish horror tale will get under your skin
Damian McCarthy’s Irish horror film CAVEAT follows a man with partial amnesia who descends into a terrifying game of cat and mouse in a remote cabin.
A Quiet Place Part II review: John Krasinski delivers a monster-filled thrill ride
John Krasinski’s A Quiet Place Part II is a tense and thrilling blockbuster that ups the ante from the original in nearly every way. Read our review here.
Cruella Review: The Devil Wears Bondage Pants
Cruella stars Emma Stone as the titular villain from 101 Dalmatians in this live-action prequel. Read our review here.
SOUND OF VIOLENCE channels trauma artistic inspiration [review]
SOUND OF VIOLENCE follows a young woman who experiences ecstatic moments of synesthesia through violent acts, which she begins channeling into her music.